Painting series,  2017-2019

Ordinary objects, simbols and landscapes, together with invisible and intangible phenomena, are visualized through an imaginative approach which aims to question our perception of reality and the structure of cognitive divisions.

In the painting, many movements of time, circulation, gravity, balance, resistance and collectiveness coexist in the paintings. By connecting the continuity of Yin and yang’s dynamics to cosmological principles and the natural collaboration (circulating earth, water, air, and fire for regeneration and balancing the entire planet), I provide a unified vision for opening up our body and spiritual relation to the natural world, while questioning our perception of reality and the structure of capitalism.

  Installation view at Seoul Museum of Art " Fragmented measure, vitality of the spirit", 2019 

  Installation view at Seoul Museum of Art " Fragmented measure, vitality of the spirit", 2019 

  Installation view at Seoul Museum of Art " Fragmented measure, vitality of the spirit", 2019 

Time color, Distinct slough,  Oil painting on hard paper, 239 x 222 cm, 2017

Oil painting on hard paper, 239 x 222 cm, 2017

 Overlapping of visions and the weight of breath, Oil on canvas, 261 x162 cm , 2019


Oil on canvas, 261 x162 cm , 2019

Co-eyes and pressure, Oil on canvas, 220 x 307 cm, 2019


Oil on canvas, 220 x 307 cm, 2019

 

Sphere and grave, Oil on canvas, 91 x 121.5 cm, 2018 


 Oil on canvas, 91 x 121.5 cm, 2018 

Circle to meet sometime 1, Oil on canvas, 53 x 75.5 cm, 2018


Oil on canvas, 53 x 75.5 cm, 2018

Circle to meet sometime 2, Oil on canvas, 40.5 x 53 cm, 2018                     / /                  Ear, vanishing point, Oil on canvas, 45.5 x 37.9 cm, 2018 

Travel, black water at the end of vanishing point (Front)/ wood, mixed media, 63 x 53 cm, 2019 /  Plant family (Back), Oil on linen, 116 x 118.5 cm, 2019

Using Format